Abbie Gardner is an amazing resonator guitarist and singer, formerly of the excellent Americana trio Red Molly. She’ll be appearing at the Parlor Room Sat 2/10 for a solo show as well as a songwriting workshop prior. We began our segment with “Down the Mountain” from her latest release, “Dobrosinger”.

We began by discussing her early musical journey with classical flute while her Dad played jazz piano at home. Early musical direction came there at home with her continuing through high school band on flute. She also attended an early bluegrass festival which opened her ears to new possibilities. After recording an album of jazz standards with her Dad on piano, she sought out classes with mentors such as Sally VanMeter and Rob Ickes on this new instrument, the resonator guitar (sometimes referred to by a brand name, dobro). Songwriting and collaboration followed eventually leading to teaming up with talented singers and pickers Laurie MacAllister and Carolann Solebello (eventually Molly Venter)forming Red Molly.

Our conversation covers Abbie’s Patreon community, her songwriting workshops and classes (both online and in summer camps). We talk about collaborating with Tom Rush on his latest album and some of her favorite resonator guitarists she’s worked with. We finish the segment with a batch of songs from Abbie’s “Dobrosinger” and her work with Red Molly. “Only All the Time” from Abbie and “Do I ever Cross Your Mind” from Red Molly. We finish with “Three Quarter Time” from Abbie and Red Molly’s “She’s Got You”.

Check out the segment above for audio but consider joining me at Northampton, Massachusetts’ Parlor Room on 2/10 for Abbie’s amazing solo show.

Ben Wright, founding member of Chicago based bluegrass band, Henhouse Prowlers, joined me on NineVoltHeart. We talked about the history of bluegrass in the Chicago area, his first banjo purchase, his current band, and their local appearance at Northampton’s Parlor Room on Dec 16.

The band is committed to a global approach to spreading the bluegrass message; having toured extensively world-wide, initially as part of the State Department program but continued exploring cultural diplomacy as a band. Congo, Liberia, Niger began the journey but Kenya, Uganda, Pakistan, Saudi Arabia have been destinations. The band will be heading a workshop called “Music as Diplomacy; Cultural Ambassadorship Around The World and At Home”. This workshop will precede the concert on Saturday.

The band’s sound is traditional but their songs reveal a broader more progressive message. Songs about world politics and gun violence sit side by side with tunes from the road warrior experience. They have recently signed with Tn.-based Dark Shadows Recording and have released an excellent album called “Lead and Iron”. Our segment began with “Subscription To Loneliness” and ends with Ben Wright’s composition, “Forgotten Gravestones”. We add the title cut ,”Lead and Iron” to the encore part of the segment.

Ticket info at Parlor Room.org

Tom Rush has been performing for over sixty years and is vibrant as ever. He’s got a new album of original songs and his tour takes him to the Bombyx Center for Arts and Equity on December 3. Our conversations spans the decades including Tom’s humorous stories about his TWO “first gigs” back in 1961. Topics include his recollections of the early 60’s coffeehouse scene in New England, his first recording, done live at one of those venues; Boston’s Unicorn Club. We chat about the changing role of songwriting during this transition from Brill Building/NYC songwriting teams to the singer-songwriter era. Tom denies “ushering in this songwriter era” that Rolling Stone magazine credits him with; rather, he was just trying to acquire material for an overdue recording contact commitment. A true storyteller, Rush gives us a glimpse int the early contacts with Joni Mitchell, James Taylor and Jackson Brown.

Tom Rush kept in touch with his audience in a pandemic live stream series called “Rockport Sundays” with fifteen minute segments of stories and song. It’s still ongoing and available by subscription at TomRush.com. We talk about his original songs including his first original song to be recorded by numerous acts called “No Regrets”. We finish our conversation with Tom’s recollection of the legendary “Festival Express” trans-Canadian railway concert run with the stars of the day including Janis Joplin, The Band, the Grateful Dead and more. Great stories throughout the segment as well as songs! We open with “Rockport Sundays” “Lost My Drivin’ Wheel” “The Circle Game”, “No Regrets” and “The Urge For Going”.

I thank this legendary folksinger and storyteller for his career and his generosity of time on NineVoltHeart.

Maya DeVitry joined me on NineVoltHeart today. Rarely have I had a more insightful and self-aware guest. Thoughtful and in-depth answers with sincerity apparent throughout. I recommend giving this chat a listen. We open with a pair of songs “Dream in Blue” from 2012’s Stray Birds and a new song “Stacy, In Her Wedding Gown” from the latest “Infinite”. Our conversation covers her recovering her mojo in live performance during this past year or two; her co-writing with local Nashville musicians, and more. We hear “Infinite”, the title cut as well as a version of her song “Nothing Else Matters” sung by Lindsay Lou. The segment finishes up with a new song, “Are You Happy” and “Best Medicine” from the Stray Birds’ catalog. November 15 at Northampton’s Parlor Room, 11/16 Exeter NH Word Barn, 11/17 Maine Craft Distillery and 11/18 Acousticool House concert in Bristol Ct.

Ryan Hommel has just released his latest work, “Default To Open”, and he premiered several “new” songs for us on NineVoltHeart. These songs are part of a long-delayed project going back to 2015. Life on the road with Amos Lee got in the way of it’s proper treatment. Well, Ryan is now the proud father of a six month old daughter and decidedly “off the road”. It was time to record these songs and a trip to Nashville resulted in this release.

We hear a live in-studio version of “Bury Me” followed by a studio version of “Wide Open”. We also heard a cut from “Daisy Jones and the Six” TV show that Ryan was tasked with teaching the actors to play their instruments!! Our conversation is broad ranging and hit topics like Ryan’s local roots here in Amherst and his first guitar! We explored his time with Amos Lee touring world-wide, his move to LA and subsequent return to Holyoke. We heard a live in-studio version of “Same Side” from Default To Open and “Chrysalis” from the studio version. Highly intelligent answers to my inquiries all throughout the conversation. It was a joy to catch up with Ryan Hommel who has collaborated with so many of our favorite artists like Jamie Kent, Mikey Sweet, Heather Maloney, Sandy Bailey and Seth Glier!! His artistry adds to all the folks he works with and it’s so special to hear the long-delayed work from a true craftsman and musical hero of mine. Give the segment a listen.

My interview with Becky Buller, ten time winner of International Bluegrass Music awards, is chock full of songs along with Becky’s preview of her band’s set at this years Freshgrass Festival. We begin with a trio of successful co-writes that Becky wrote with the Infamous Stringdusters, The Travelin’McCoury’s and Molly Tuttle and Golden Highway. Along the way we talk about her successful co-writing process and her award winning collaborations with folks like Special Consensus, Peter Rowan, and the First Ladies of Bluegrass.

Freshgrass Festival arrives in North Adams, Massachusetts on September 22-24 on the grounds of MassMOCA. Becky’s set will kick off the Friday festivities around 6:00PM. She was asked to write a song-cycle at Freshgrass’ southern version in Bentonville, Arkansas this past year and she expects to perform that commissioned work this September. She also expects to record the commissioned work at North Adams’ Studio 9. Our segment finishes (appropriately) with a single from Becky’s upcoming album of cover songs; James Taylor’s ode to the Millworker. A perfect labor day song in homage to the milltown workers who toiled in towns exactly like North Adams all over New England, eventually throughout the country.

Info on this years festival can be found at Freshgrass.com

Reed Foehl made his first visit to NineVoltHeart studio to sing some songs from his latest couple of albums in advance of his Parlor Room show on June 1st. We had a lively conversation about his musical journey including growing up in Dover Mass (home of the Dover Demon) with musical parents and sibling. From Boston to Colorado to Nashville and recently Vermont, Reed has plenty of stories from the road and songs to document them! We heard his grammy-nominated song “Fly” co-written with Brent Cobb for Lee Ann Womack to start the segment. Reed played a number of songs live in this session including “My Song”, “Stealing Starlight” and “Wild Wild Love”. We finish with “This Too Shall Pass” from the latest release. Make sure to catch Reed in his Parlor Room debut, Thursday night June 1st.

Lisa Bastoni is a pro at these in-studio sessions! Our conversation covers her latest Visual Art projects, her work as an Art teacher, her upcoming full band album, and more! Our segment begins with a cut from her latest “Backyard Birds” CD called “Bring It On”. She debuts a brand new song called “Right Side of the River” and “Nearby” from the gorgeous release called “How We Want to Live”. We finish the segment with the recorded version of “Walk a Little Closer” from that same release. Powerful personal songs from our favorite local singer-songwriter. Catch her show opening for Reed Foehl on June 1st at the Parlor Room or next week 6/7 at Club Passim in Cambridge or 6/15 at Easthampton’s Luthiers with Pamela Means!!

Banjo legend Tony Trishka was my guest on the Town Crier. We talked about his musical path starting with his NYC days in the 1970’s. His band included an eclectic fusion of styles and players including Kenny Kosek and Andy Statman. His influences from classical to jazz to fusion are on full display in these early recordings. Tony discusses those early scene gigs as well as mentoring folks like Bela Fleck. Fleck and Trishka were fearless innovators on the instrument over their careers. Both have also embraced traditional bluegrass as well. The latest project from Tony is a note for note transcription of Earl Scruggs banjo parts obtained from a home recording tape with John Hartford! Tony will be bringing a talented group of young players with him at the Drake! Folks like Michael Daves (guitar) Jared Engel (bass) and Nate Lee (fiddle and mandolin). Other dates include Jacob Jolliff, Alex Hargreaves and Brittany Haas. If you’re in the Boston area the “Earl Jam” will be at City Winery at Noon on the same day 5/6.

Our conversation touches on lots of topics from the young talent in the roots music world to the learning the Scruggs catalog. We include a batch of tunes as well including Tony’s take on “Reuben” the first tune Earl mastered his three finger style as a young man; now referred to as “Scruggs style” playing. We hear from the trio of banjo players Bill Keith, Bela and Tony do “Black Mountain Rag”. The only recorded duet with Earl Scruggs and Trishka is documented on “Farewell Blues” from Tony’s Double Banjo Bluegrass Spectacular release. We end the segment with Earl’s take on his “Nashville Blues” from Will The Circle Be Unbroken collection with the Nitty Gritty Dirt Band.

Give the segment a listen or better yet go to thedrakeamherst.org and get a ticket for this Saturday’s show 5/6.

Natalie Padilla was born and raised in Montana. Her fiddling began at an early age with classical and eventually Texas style fiddling culminating in a half dozen Fiddle Contest Championships. She has just released two new albums. “Hell Broke Loose” which is an old time trio album released in February. But on March 31st, Natalie will release “Montana Wildflowers” a mix of Celtic and Old Time styles. The album release party will be at Ana Bandeira Chocolates (48 Main Street)in Northampton @6:30.

Our conversation covers Natalie’s Contest experiences as well as Fiddle Camps throughout the Mountain West. We talk about the differences between styles of fiddle playing and how she prepares for certain styles. Natalie compares these regional styles like learning a new language which necessitates immersion in the culture. If she’s playing Celtic music she’ll attend a “session” in a pub with the celtic repetoire. Conversely, she’ll need to play Bach violin and practice with the orchestra. Natalie is very adept at Texas , Celtic, Old Time and Classical styles as well as bluegrass. Her selections played live in studio show her mastery. Give the segment a listen. Many of the selections are from the “Montana Wildflowers” CD including “Prairie Flax”,”Ladyslipper”,”Forget Me Not”,” as well as “Court The Widow”. She finished with a version of “Hell Broke Loose”

Make sure to get to AnaBandeira Chocolates in Northampton for the release party. Natalie is also starting an “Irish Night” and an “Old Time Night” at the same business every week. Check the website for details.