The trio of celtic wonderlings KALOS were my guests yesterday on my radio show Nine Volt Heart. Jeremiah Mclane on accordion, Ryan McKassen on fiddle along with Eric McDonald on guitar are working on a brand new release as a trio.They will be part of 2/16 Parlor Session in a fabulous series of music designed to chase away the winter doldrums. These gentlemen’s music will surely do that. We had a long discussion of their acculmulated influences and experience and it is broad and diverse. They have experienced a lot in their musical wanderings and this expansiveness is apparent in their music. Our segment includes two recent tunes, “Brooke Leigh” and “Mark the Hard Earth”. Give it a listen or better yet get yourself down to Northampton’s Parlor Room on Sunday February 16th.
Chris Brashear and John Benjamin played an entertaining set of music in anticipation of their hosting duties at upcoming Parlor Room events. John Benjamin and Max Wareham will be hosting the Parlor Sessions for select Sunday shows this winter. Chris Brashear will be teaching a workshop along with Matt Flinner on 2/29 as part of the Back Porch Festival. Chris will also be hosting the Townes Van Zandt tribute night on 2/27 along with a host of singer/songwriters. Details for these events can be found at Signature Sounds Presents website.
Their set of music included “Lil’ Joe”, “The Road to Columbus”,and “The Midnight Special” live as a first time duo! The segment also includes Chris’ “Tell All My Pickin’ Friends Goodbye”, Matt Flinner’s “Inferno Reel”, Townes Van Zandt’s “To Live Is To Fly” as well as a cut from Chris’ collaboration with the Piedmont Melody Makers, “Just Keep Waiting Till the Good Times Come”.
Bruce Molsky will lead a workshop and a concert on December 15th in Northampton’s Parlor Room. Bruce is a leading advocate of old time fiddle music whose work spans genres and generations. He’s a serious musicologist and has a serious work ethic which he refers modestly as a “bunch of projects”. Touring worldwide with Molsky’s Mountain Drifters (pictured top right) a trio of Allison DeGroot and Stash Wyslouch as well as releasing a disc with Scandanavian supergroup Mozaik are just two of his recent projects.
Our conversation covered some of his early influences from Billy Taylor’s Jazz Mobile to studying years later at the feet of old time legends in the Upper South. We talk about his role as educator at Berklee’s School of Music and his efforts to establish the American Center for Folk Music in his hometown of Beacon NY.
Of course, the segment includes some old time fiddle tunes including Bruce’s versions of “Piney Mountain”, “Shelving Rock”, “Forked Deer” as well as the Mountain Drifter’s “Old Jawbone” and a version of “The Drunken Hiccups” finishes this set of old time standards.
Pictured above (top left) is Bruce in-studio on Nine Volt Heart,(Center photo) Bruce with Altan along with Alison Brown at Freshgrass, (top right) Molsky’s Mountain Drifters
Amythyst Kiah’s star is rising…fast. Make sure to catch her tomorrow night at Northampton’s Parlor Room with Alexa Rose.
While Amythyst’s career was going well with two independent releases,” Dig” an acoustic collection of traditional and originals and “Her Chest of Glass” which is more of a group bluesy rock sound. But it was Amythyst’s recording of Vera Hall’s “Trouble So Hard” which caught the ear of Rhiannon Giddens who invited her to open for the “Freedom Highway” tour. More recently, Amythyst Kiah was invited along with Allison Russell (from Birds of Chicago and Po’ Girls) and former Carolina Chocolate Drop associate Leyla McCalla to collaborate on a new project together.
Songs of Our Native Daughters was released on Smithsonian Folkways this year and it is astounding. The four banjo playing roots musicians visited the Smithsonian Museum of African American History and Culture to research and investigate a collection based on slave narratives. The resulting collection is collaborative and inspiring. Amythyst leads the collection off with her penned “Black Myself” which sets the bar very high. She also cowrote a number of other songs such as the retelling of the John Henry story from the perspective of his wife Polly Ann.
Our conversation touches on her biography and her Tennessee roots, her education at ETSU in Johnson City, Tn as well as her influences such as the previously mentioned Vera Hall. We talk about the Native Daughters project as well as her upcoming solo release,”Weary and Strange”.
The songs included are “Trouble So Hard” from Amythyst and “Another Man Done Gone” from Vera Hall. We hear “Mamas Cryin’ Long”, “Black Myself” and “Polly Ann’s Hammer” from Songs of Our Native Daughters as well as a new original “Wild Turkey’ and “John Henry”.
Alexa Rose is a very talented singer songwriter and she is on the Parlor Room bill as well. A great night to see two amazing performers in a small intimate venue. Nov 11 at the Parlor Room in Northampton, Ma.
Pamela Means is an exceptional guitarist and songwriter. Her protest-leaning folk songs are legendary. She fronts a Jazz band and as a trio in the Pamela Means Band. But her latest project is ambitious indeed. She has challenged herself to learn the Beatles’ Abbey Road and play it solo acoustic in it’s entirety.
Our set includes two such pieces from Abbey Road, George Harrison’s “Something” and Lennon/McCartney’s “Golden Slumbers” from the side two medley.
We also visit some of Pamela’s Jazz Project with “My Funny Valentine” and a gorgeous tune from her latest solo release, Plainfield, called “Castor and Pollux”.
In between our conversation, we listen to the newly released 2019 “Super Deluxe Package” of Abbey Road including “Come Together”, “Sun King”,”Maxwell’s Silver Hammer” and “Here Comes the Sun” .
Pamela will play the Abbey Road album on Friday October 4th at Northampton’s Parlor Room. Her complete catalog and information on lessons etc can be found at Pamela Means.com
Christa Joy and Michael Stephens joined me for a “joy”ful in-studio performance on Nine Volt Heart. Our wide-ranging conversation includes a healthy dose of tunes from her upcoming album, “Get on,Heart”. We talk about the evolution of her sound over her three releases. Christa delves into her personal history documenting the heartbreak and joy behind these songs. Our session includes cuts from her new disc along with three live versions. Included are “Get On, Heart”, “Honey Bee”, “Ready or Not”,”You Don’t Know”, “On the Shunpike”, “She’s Enough”, and “You’re Not There”.
The commentary is honest and in-depth throughout. Give it a listen.
Christa Joy and the Honey Bees CD release shows are 6/23 at The Parlor Room and 6/27 at Dream Away Lodge. Catch them if you can.
Allison DeGroot and Tatiana Hargreaves will release their new self-titled album at Northampton’s Parlor Room on 5/5. In advance of that show, I had the chance to talk to them about their careers and their latest songs and tunes.
Allison DeGroot plays clawhammer banjo on these recordings while Tatiana fiddles. Folks might recognize Allison for her work with the Canadian quartet, Oh Darling or perhaps her appearances with The Good Bye Girls; a collaboration with Molly Tuttle, Brittany Karlson and Lena Johnson. Her latest visit to the area was with Bruce Molsky’s Mountain Drifters.
Tatiana may be familiar to our listeners from her time at Hampshire College or as part of Western Massachusetts Ephemeral Stringband. She has played with Gillian Welch as well as Laurie Lewis in her tribute to Hazel Dickens and Alice Gerrard. Tatiana also has a new project called “Hard Drive”.
Our conversation covers their musical educations, their myriad projects and their teaching at camps. Tatiana is on UNC’s Music faculty this year teaching bluegrass fiddle. They are both teaching at summer workshops all over the country.
Our soundtrack includes Tatiana’s “Say Darling Say” from her first CD release, The new duo album songs spotlighted were “Cuckoo’s Nest”, “Farewell Whiskey”, “Dry” and “Beaufort County Jail”. Additional songs include Tatiana’s work with Laurie Lewis’s “Walking in my Sleep”, Hazel and Alice’s “Sing Me Back Home”, Molsky’s Mountian Drifter’s “Grandad’s Favorite/Flatwoods” and the Goodbye Girls live recording of “I’ve Always Been a Rambler”.
Check out their Parlor Room show on Sunday May 5th.
The ladies of Emma June Band came to Valley Free Radio’s studio to sing some songs and let their fans and radio listeners know about their upcoming shows and plans. Emma Ayres is the lead vocalist, guitarist and song-writer but shares vocal duties with Zoe Young who also plays guitar. Abby Kahler plays fiddle and Abbie Duquette plays bass (she plays a wild uke-bass in this session). They all sing.
We open the segment with their song, “For Icarus” followed by Joni Mitchell’s “Amelia” which also uses the Icarus metaphor. Live in the studio, the ladies continue the “mythology imagery” with a song called “Odysseus”. They perform “Little Bird” which is an unrecorded song for the band. I played an amazing song from the only recorded release, Graduate, that is called “Progress”. Emma introduces the song as a tribute and reminder of the history of the towns submerged by the Quabbin Reservoir. The band finishes our set with a gorgeous affecting acapella version of “Bread Winner”.
The Emma June Band will be performing tonight April 14th at the Shea Theater in Turners Falls, Ma. They are also scheduled to perform at the Sustainability Festival on the Amherst Common on April 27 as well as the Taste of Amherst in June.
Lisa Bastoni has revisited and re-energized her musical career in the last two years. She took ten years away from singing to get a degree and raise a family. We’re glad that the muse hit her again while pushing a baby stroller or late at night after her children were put to bed. Her 2017 release is named after those times, The Wishing Hour. Those ten original songs brought her back to performing and to great acclaim. She was chosen as Emerging Artist at Falconridge Folk Festival, a showcase Artist at North East Regional Folk Alliance, winning awards for her songwriting at places like Rocky Mountain Folk Festival among others.
Lisa has moved to the Northampton area and has several upcoming shows scheduled in the area (as well as the Boston area). We were fortunate to spend an hour together listening to her songs and discussing her songwriting. Our set includes a number of tunes from “The Wishing Hour” like “In This Town”, “It’s the Staying That Hurts”, and “Wichita”.
We were fortunate to be able to hear a whole batch of soon to be released songs in this session. We heard versions of “Walk a Little Bit Closer”, “Beautiful Girl”, and “Nearby” among others. It was a pleasure to get to know Lisa while talking about a variety of subjects including busking, her Grandmother’s influence, and the new music series that Lisa is curating for the Montague Book Mill.
Maya DeVitry has just released a gorgeous solo release called “Adaptations”, a set of a dozen thoughtful songs covering issues like migration, civil and personal rights. The songs differ from her work with The Stray Birds in that they were written and conceived not in three part harmony but for her solo voice. She is ably supported by the stellar guitar work of Anthony Da Costa whose work includes Aiofe O’Donovan and Sarah Jarosz. Sam Grisman on bass and Jason Burger on drums fill out her band. Our segment covers a lot of territory with commentary about her trip to Jordan with the Boston-based bluegrass unit, Della Mae, to her solo trips to Cuba and remote cabins in Pennsylvania to write these songs. Her answers are thoughtful and full of insights of her journey from the aggressive touring of The Stray Birds to this very meditative soulful release on her own.
Our segment includes a healthy dose of the new album but begins with The Stray Bird’s song, “Dream in Blue” from 2012. New songs include “What the Moon Said”, “Anybody’s Friend”,”Go Tell A Bird” and “My Body is a Letter”.
Maya brings her band and her new batch of incredible songs to Club Passim in Cambridge on May 17th. Catch this talented singer songwriter with her trio of Ethan Jodziewicz on bass and Jason Burger on drums.